Families: The Trelawny-Careys
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#1: Families: The Trelawny-Careys Author: RóisínLocation: Ireland PostPosted: Wed Jul 11, 2007 12:18 pm
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There is a family tree here.

The Trelawnys consisted of Grandmother, Father and Mother - Gran (Mary) and Mother (Doris) raised Mary-Lou while Mr (Dr? Prof?) Trelawny worked in the Amazon. Mary-Lou was educated at home, in a seaside cottage, until the age of ten, when she was sent to the Chalet School as a daygirl then later a boarder. The reason the little family moved to Armiford was because of Doris' health. During her first term at school, Mr Trelawny was killed but as Mary-Lou had never known him much, she didn't feel the same sorrow as her mother and gran. Gran died when Mary-Lou was 15. When Mary-Lou was in Va, Doris married Mr (Dr? Prof?) Carey, who had been on the same expedition as Mr Trelawny in the Amazon all those years ago.

Mr (Roland) Carey already had a daughter, Mary-Lou's schoolfriend Verity-Anne Carey, and the two now became sisters-by-marriage. When Mary-Lou was 17 and both girls were pupils at St. Mildred's, Mr Carey died, leaving Doris a widow and Verity-Anne an orphan. A year or so later, Doris died too (of TB), leaving Jack Maynard as trustee for Mary-Lou. The same year, Verity married Alan Trevor.

Doris and Verity-Anne are always portrayed (by Mary-Lou at least) as quite helpless and unable to cope without a stronger family member to lean on, whether it was Gran or Mary-Lou - both of which are shown as very strong individuals. Both Mary-Lou and Verity-Anne are clever girls who are talented in different ways. The family is incomplete without mentioning the Barras children who were fostered by Doris when Mary-Lou was around ten - Clem and Tony.

So! Quite a lot of death in the family described here, but quite a lot of resilience and making-do as well. How do you like this Brady-bunch-ish family? What do you think of the sibling dynamics - especially between Mary-Lou/Verity, Mary-Lou/Clem? Was Doris Trelawny really so weak? What about the fathers portrayed here - they spend hardly any time with their children, instead working far away. What kind of a marriage do you think Doris had, first with Mr Trelawny and then with Roland Carey? What about Gran having to be mother again, almost, to her grandchild - how do you think she felt about that?

And anything else you would like to bring up or say about this family, please go ahead and join in the discussion below Very Happy

#2:  Author: RayLocation: Bristol, England PostPosted: Wed Jul 11, 2007 12:40 pm
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The marriage between Doris and Mr/Dr/Prof Carey happened when Mary-Lou was in the middle school. I *think* it's mentioned in Changes, in which case Mary-Lou was probably in IVa, not Va! At any rate, she describes herself and Verity as being "sisters by marriage" to Jessica Wayne when Jessica first arrives at the CS, which is when she's in Vb.

Ray *the nitpicker*

#3:  Author: Alison HLocation: Manchester PostPosted: Wed Jul 11, 2007 1:12 pm
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I hate the way Verity is turned from the strong person she was in Three Go to a "broken reed" by Reunion - Mary-Lou's comment that she's handing Verity over to Alan Trevor because Verity can't cope alone really winds me up!! I liked the original friendship between Mary-Lou and Verity, of strong but contrasting characters, much better. I like Mary-Lou and Clem's friendship too.

Professor Trelawney sounds like a rotten husband/father, leaving his wife, young child and elderly mother behind to go off on an expedition that was evidently meant to be long-term even before things went wrong. OK, I probably wouldn't think that if he'd been in the Armed Forces or something like that, but even so. The same with Mr Carey, leaving his young motherless daughter behind. I like Mary-Lou's comment about how Mr Carey's fallen in love with Doris and she doesn't blame him, though - that's rather sweet Very Happy .

I find Mary-Lou quite annoying generally, but I do feel sorry for her when I think about her background - she didn't really have any friends until she met Clem and Tony (whom her grandmother didn't approve of anyway), she had no close relations other than her parents and grandmother, and she hardly knew her father. And it sounds as if it was Mrs Trelawney senior who took responsibility for her education and behaviour - Doris sounds a bit useless really Rolling Eyes .

#4:  Author: MelLocation: UP NORTH PostPosted: Wed Jul 11, 2007 5:22 pm
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I always wonder why Gran and Mrs T didn't move earlier for Doris's health and Mary-Lou's education. We are told that it is a rented house, so they are not giving up the ancestral home. With the elders of the two families, EBD is quite ruthless in killing them off, like a vengeful Greek God! I wonder if the eventual death of Doris is to bring Mary-Lou closer and closer to Joey and thus keep her in the books. Linked to this the Barrass parents are killed of too, we belatedly discover in 'Trials' Again is this a plot device to show how caring Mary-Lou is? She stays behind from a walk to keep Naomi company and gives the excuse that she wants to write to Clem as it is the anniversary of her parents' deaths. All told the 'Three' who go to the CS are all orphaned within a space of 10 or 12 years.

#5:  Author: LissLocation: Richmond PostPosted: Wed Jul 11, 2007 10:05 pm
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I wrote an article about the dynamic between Mary-Lou and Verity-Ann, and their respective families for FOCS, and thought I might as well reproduce it here for anyone who might randomly be interested...

Quote:
Page references refer, unless otherwise stated, to the 1980s Armada paperbacks. Although Verity-Ann(e) became Verity as a Senior, for ease of reading I have referred to her as ‘Verity-Ann’ throughout.

The disintegration of Verity-Ann Carey’s character from a girl chock-full of obstinate determination to a clinging ‘broken reed’ has been a long-standing disappointment to me. Verity-Ann was introduced as one of the three in Three Go to the Chalet School, and was thus a main character in the book. Her mother was dead, her father was a cartographer who had been abroad for many years, and she lived with her grandfather until his death when, at the age of ten, she is informed by her trustee that she is to go to the Chalet School.

Verity-Ann is resistant to the idea, (‘“I will always talk and think as I have done. I hate this horrid school of yours…”’ (Three Go, p26)), and does everything she can while at the school to show that resistance. She criticises her peers for their ‘unladylike’ behaviour and use of slang, while her most notable rebellion is her refusal to speak or sing in German. She maintains this throughout the book, ignoring all entreaties by the other girls in her form, her mistresses, even Miss Annersley and Joey Maynard, until her father returns at the end. She is variously described as ‘self-possessed’ (p24), ‘composed’ (p65) and ‘proud’ (p156), with ‘a great deal of personal dignity’ (p25).

Even though obstinacy may not be the most likeable of character traits, Verity-Ann’s refusal to back down over not speaking or singing in German must command some respect: ‘she had once vowed that she would never, never have anything to do with Germany’ (p155)… ‘Verity-Ann Carey was too patriotic to sing German’ (p157). I think, most importantly was that ‘[she] wanted very badly to please [Mary-Lou]; but having once made her stand, she was far too proud to own herself in the wrong and give in’ (p159). Verity-Ann’s thinking might have been woolly-headed and is certainly contrary to the views EBD expressed in Exile and others (though we should not forget that at this stage she is only ten years old), but she remains resolute in the face of considerable pressure from her peers and her mistresses. Even to earn Mary-Lou’s friendship, she would not give up her beliefs.

How is it, then, that by Joey & Co in the Tirol Joey Maynard describes Verity-Ann as a ‘broken reed’, who needs all the support she can get from Mary-Lou? Mary-Lou herself concurs with this judgement later in the series, saying that she is glad Verity-Ann has Alan Trevor to look after her: according to Mary-Lou, Verity-Ann is a ‘clinging vine’, while she herself is ‘an oak’ (Reunion, p92 (GGBP)). This is the culmination of a gradual diminution of Verity-Ann’s character over the intervening books, in which Verity-Ann herself became ‘moonier than ever’ (Mary-Lou, p11) and more silent. Admittedly, EBD states that when Verity-Ann spoke, ‘what she had to say was generally full of common sense’ (Mary-Lou, p26), and that she sometimes acted as a stopper to some of Mary-Lou’s madder ideas, but the latter, at least, is true only of the earlier books: by the time Mary-Lou is a Senior on the way to Head Girl-ship, there are few mad schemes in the pipeline. Verity-Ann is reduced to being Mary-Lou’s example ‘sister-by-marriage’ (the mystery of why she is never merely her step-sister remains to this day!), who needs careful herding by that young lady, whose chief claim to fame is her silvery voice.

By the time Mary-Lou is Head Girl, Verity-Ann seems to have disappeared from Mary-Lou’s orbit: in Trials the ‘backbone of the school’ consists of Mary-Lou herself, Hilary Bennet, Vi Lucy, Doris Hill and Lesley Malcolm. In fact, not only has Verity’s personality crumbled, so has her appearance. She has always been described as tiny, but this is taken to extremes in Trials, and her features go from being ‘exquisitely modelled’ (Three Go, p22) to ‘exceedingly pretty’ (Mary-Lou, p27) to ‘almost insipid’ (Trials, p27).

By the later books, Verity-Ann’s chief renown is for her mooniness: ‘Verity-Anne (sic) was a recognised “mooner”’ (Mary-Lou, p27)… ‘Verity Carey is a born mooner’ (New Mistress, p80). By Mary-Lou, even Verity-Ann is admitting it: ‘“I have always been with Mary-Lou before and she has always helped me out”’ (p50). However, there is no sign of this in Verity-Ann’s early school career; in Three Go, Island and Peggy I did not see any references to supposed mooniness – if anything, it is Mary-Lou herself who is untidy and careless. Neither, at the beginning of Three Go, is there anything to suggest that she was brought up in a household where ‘mooniness’ would have been encouraged. So the question is, whatever happened to Verity-Ann?

Did EBD merely forget the characteristics with which she had imbued the early Verity-Ann? Or can this be attributed to a genuine change in Verity-Ann’s character, brought on by the alteration in her personal circumstances? From being an only child who was the centre, presumably, of her carers’ attention, she goes to being a member of a much larger household and one in which she likely had a lot less control. The Trelawney family at that time consisted of Mary-Lou herself, her mother Doris Trelawney, and the inimitable ‘Gran’, Mary-Lou’s paternal grandmother. The household was supplemented, at times, by Clem and Tony Barras. The Carey household was Verity-Ann and her father, whom she hardly knew. Roland Carey appeared to be the typical strong male character in Three Go, but we subsequently discover he was badly affected by his experiences and his health was an increasing worry.

When the two families merged on Doris and Roland’s marriage, it is not hard to imagine that Mary-Lou came out on top. She was louder, more ebullient, more ready to take charge (and, already, we can see the mantle of Joey’s ‘butting in’ falling on her shoulders). The women of the household would have likely had more control over the girls, and it is in fact explicitly stated that ‘Gran had … extended her training to … Verity-Anne (sic)’ (Mary-Lou, p7) and I feel it would have been inevitable that Verity-Ann would have been at a disadvantage. It is easy to see that Mary-Lou might well have eventually ‘taken over’ Verity-Ann, making decisions for her, doing things for her, until she became the apparently near-passive ‘broken reed’, the mooner who became dependent on Mary-Lou, and then her husband-to-be, for her needs.

Perhaps Mary-Lou is not entirely to blame for this. After her father’s death is announced, Joey Maynard speaks to Mary-Lou about the lessons she can learn: ‘“you must be a good friend… it means being kind”’ (Three Go p143) Later she tells Mary-Lou, ‘“Be a good girl, and do what you can to help Verity-Ann’” (Three Go p166). By the time Mary-Lou is about fifteen, she is already being burdened with the other girls’ problems by Joey – ‘“You know as well as I do that in mind, at any rate, you’re years older than any of the rest of your crew”’ (Mary-Lou, p39). Joey actively encourages Mary-Lou’s sense of protectiveness and responsibility. In Trials, Miss Wilson states that it is not fair for Mary-Lou to be burdened with more problems in her last year; Joey returns with ‘“Mary-Lou thrives on responsibility!”’ (p13). This may be true, but Joey has helped Mary-Lou into her own mantle. With this sense of responsibility imposed on Mary-Lou, coupled with her own personality, it is not necessarily surprising that Verity-Ann eventually succumbed. From the beginning, we see Verity-Ann as being ‘like a big doll’ (Three Go, p54) in Mary-Lou’s eyes, and in a sense, this is what she became.

This, I think, is a great shame, for Verity-Ann exhibited signs of strong character in her debut and it would have been interesting to see more of it in subsequent books. However, it is probably inevitable that this did not happen. Mary-Lou was the oak and there was little room for Verity-Ann to be anything other than a clinging vine.

#6:  Author: KBLocation: Melbourne, Australia PostPosted: Wed Jul 11, 2007 10:40 pm
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Verity's father is Commander Carey. I don't think we ever hear of him referred to as Mr or Dr.

#7:  Author: jenniferLocation: Taiwan PostPosted: Thu Jul 12, 2007 2:42 am
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The family as a whole comes across as pretty disfunctional by modern standards.

You have two absentee fathers, who get married, father a child and then take off into the wilds of the Amazon on a dangerous expedition for a decade. They are so out of contact that it takes about half a year for news of their deaths/injuries to get back to England.

Verity's mother is dead and she is left to two elderly grandparents, who later die, an elderly governess and a solicitor who doesn't really know her.

The Barras parents are neglectful of their children, providing little supervision when they are around and only the bare bones of food and clothing, interspersed by violent discipline on the part of Mr Barras when they get into trouble. Clem is pushed into a parental role at a young age, looking after her parents and her younger brother as the most sensible and responsible member of the group. When the opportunity presents itself they dump their kids on someone else - first the school, and then the Trelawny/Careys. Afther Three Go is there any mention of Clem and Tony actually spending holidays with their own parents?

Mrs Trelawny is presented from the beginning as a weak woman, both physically and mentally, who doesn't have the strength of personality to parent her only child. Instead, her mother, a bossy woman, is depended on to handle the parenting and other practical details. Commander Carey is unable to care for his daughter, so she spends her holidays with the Trelawnys, and later as a joined family. I assume this left the Grandmother as the de facto parent of Mary-Lou, Verity, Clem and Tony, as neither Doris nor Roland were up to much in the way of parenting due to a combination of health and personality.

Both Doris and Verity are presented as weak willed people who can't manage the day to day details of living without excessive intervention from Mary-Lou and Grandmother. The two stronger willed people, on the other hand, stunt the emotional growth of the other two. Verity is repeatedly told that she's too slow, too mooney, can't handle her dormitory chores, can't handle stress, isn't to be depended on for anything important, is a burden who is getting in the way of her stepsister's life - that's got to be soul crushing.

Actually, put like that the whole lot of them needs a good psychologist and some counselling in group dynamics. Or maybe Mary Poppins.



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