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Quote: |
'In my humble opinion all maths people are the extreme edge!’ |
Mel wrote: |
I think there must have been some girls who would teach, there must have been plenty not in the limelight. If EBD could dredge up Nancy Wilmot, Winnie Embery and Maisie Gomme she could find a French or Tyrolean girl or two. |
Alison H wrote: |
I don't know why they never had any native German-speakers to teach German . |
Alison H wrote: |
I don't know why they never had any native German-speakers to teach German . |
Ruth B wrote: | ||
Something that has always grated with me, is that Nancy Wilmot declares in New that,
yet she ends up back at the school teaching it!! I think Biddy is the most realistic portrayal, certainly her prefect self and her mistress self are fairly similar. As Alison said, given that being trilingual was one of the job requirements, I think the high proportion of old girls is to be expected. |
claire wrote: |
Out of interest isElsie Carr the only old girl teacher not to return to the school? |
Lisa T wrote: |
BUT I don't agree about Biddy. In many ways Biddy (even her name!) is caricature of a 'wild Irish girl' who reforms and becomes anglicised. |
Alison H wrote: |
Also, not everyone would have been suited to a job where you were expected to be trilingual: they all seem quite shocked when Pam Slater points that out, but how many people speak 3 languages well enough to teach in all of them? |
Lisa_T wrote: |
I agree absolutely. Coming from EB, it was EBD's sensitive treatment of European nationalities that really won me over. I haven't read EB for years, but looking at the MT/CS drabble reminded me of just how awful it could be. That, I think, is why EBD's portrayal of Irish characters (maybe Deira O'Hagan is a better example than Biddy, come to think of it) does grate a little. It contrasts so greatly with her depiction of Austrians/French etc... |
annah wrote: |
I believe that (particularly with maths) if you have struggled with a subject, rather than found it easy, you will be better able to understand the difficulties of others and to explain things to them. Maybe Nancy thought the same. Anna |
Clare wrote: | ||
I think you've hit the nail on the head there. Maeve Bettany says something along the lines of "well if she's going to make a chap understand like that then she's got my vote." |
Tiffany wrote: |
I think it's a shame that we don't see more from the mistresses' points of view. There's New Mistress, I know, but otherwise you generally only get fairly banal staff meetings shown in the books. It would be interesting to see a book focussing on an old girl who came back to teach - what was the selection process? How did her peers react? How did the older pupils, who might have been at school with her, react, and how did she react to them? |
Alison H wrote: |
vif the CS had really insisted on fluency for new staff then the old girls were probably the only ones qualified to join the staff. |
Caroline wrote: |
I think the tricky thing is the timing - in the 1920s upper / upper middle class girls of the kind who might have been able to afford to go to University didn't actually need a career, so tended not to go to college unless academically exceptional / driven / artistically gifted (whether they were from the UK or the Continent). So, CS girls going to Uni at all is quite rare in the early books and tends to be restricted to those whose families are upper-ish class but relatively poor, and are gifted enough to win a scholarship (Mary, Simone, Juliet). Rosalie, who presumably needed to get a job, went to secretarial college, and Grizel, who didn't need a job as long as she went along with her father's ideas, studied music at a conservatoire. Did Carla go to study singing? Or was that Vanna? The Continental girls at the CS are much more of a mixed bag, |
Lisa A. wrote: |
Are any girls ever encouraged by staff to consider returning to teach (other than as emergency stand-ins)? |
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